Shure Cordless Mics
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A microphone is an example of a transducer, a device that changes sound from one form to another. Sound exists as patterns of air pressure; the microphone changes this into patterns of electric current.
Microphones vary greatly in quality. A top end recording studio microphone may cost thousands and in many cases they are needed for the very best recordings. A variety of mechanical techniques can be used in building microphones. The two most commonly found in recording studios are the magneto-dynamic and the variable condenser designs.
All microphones convert sound energy into electrical energy, but there are many different ways of doing the job, using electrostatics, electromagnetism, piezo-electric effects, or even through a change in resistance of carbon granules. When it comes to microphones used in recording studios, the vast majority of microphones used are either capacitors, electrostatic, or dynamic.
Both types employ a moving diaphragm to capture the sound, but make use of a different electrical principle for converting mechanical energy into an electrical signal. The efficiency of this conversion is very important, because the amounts of acoustic energy produced by voices and musical instruments are so small.
Different types of microphones used in recording studios
In live sound, nearly all the microphones used are dynamics. In the studio, instruments such as drums, electric guitars, and basses are recorded using dynamic microphones. Dynamic microphones have the advantages of being relatively inexpensive and durable, and they don't need a power supply or battery to make them operate.
Dynamic microphones are most effective when working with relatively loud sound sources that do not contain a lot of very high-frequency detail. They are also tough instruments which make them good for recording studios. Another type of dynamic microphone is the ribbon microphone, but this is only used in fairly esoteric recording applications by engineers who appreciate the subtleties of the ribbon sound.
These microphones are comprised of a thin metal ribbon suspended in a magnetic field, and when sound energy is encountered, the electrical signal generated is induced in the ribbon itself rather than in a voice coil. The main advantage of ribbon microphones is their smooth, detailed sound which makes them perfect for studio environment.
Capacitor microphones are more expensive than their dynamic counterparts, and they are also much more sensitive, and can capture high-frequency detail much more accurately. Even though they are relatively efficient like dynamic microphones, capacitor microphones produce such a small electrical signal that they require a special type of built-in preamplifier to bring the signal up to usable levels. Thus they are not fit to be used in live concerts or open air concerts. Capacitors are used mostly in recording studios where there is less noise.
Conclusion
The microphone is a ubiquitous piece of equipment. Found in everything from telephones and computers to recording studios, microphones are part of our daily life. A professional studio will accumulate a varied collection of microphones. The top studios use microphones such as Shure SM58s and 57s, AKG D112s, or Sennheiser 421s.
Victor Epand is an expert consultant for music gear, speakers, and microphones. You can find the best marketplace for music gear, speakers, and microphones at these 3 sites: music gear,equipment, speakers, subwoofers.
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Shure DMK57-52 Drum Mic Kit $399.99 The Shure DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes 3 Shure SM57 microphones, one Shure Beta 52A microphone, 3 A56D drum-mounting systems, and a lightweight, durable carrying case.A collection of some of the most widely used mics in the world for stage and studio miking of drumsIncludes mics and hardware for core miking of basic setsAlso includes application-specific illustrations of different setupsSuggested Applications:Kick DrumSnare DrumsRack/Floor Toms |
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Shure Dmk57-52 Drum Microphone Kit $399.99 The Shure DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes 3 Shure SM57 microphones, one Shure Beta 52A microphone, 3 A56D drum-mounting systems, and a lightweight, durable carrying case.A collection of some of the most widely used mics in the world for stage and studio miking of drumsIncludes mics and hardware for core miking of basic setsAlso includes application-specific illustrations of different setupsSuggested Applications:Kick DrumSnare DrumsRack/Floor Toms |
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Shure PG 4-Piece Drum Microphone Package $249 The Shure PG 4-Piece Drum Microphone Package includes a PG52 kick drum mic, 3 PG56 snare/tom mics, and a carrying case. PG microphones are application-specific with the same durability and performance attributes of other Shure microphones at an attractive price. |
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Shure Pg 4-Piece Drum Microphone Package $249 The Shure PG 4-Piece Drum Microphone Package includes a PG52 kick drum mic, 3 PG56 snare/tom mics, and a carrying case. PG microphones are application-specific with the same durability and performance attributes of other Shure microphones at an attractive price. |
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QTX 171.810 Wireless Microphone Set with 2 Cordless Mics $51.9 The QTX 171.810 is a clever wireless radio microphone system which has been specifically designed for the practical demands of everyday professional use. The wireless microphone set includes a protective case which keeps the equipment conveniently and safely together, and with jack and XLR outputs, the device has enough flexibility to be instantly connected into any audio setup. The 164' (50m) transmission range allows the microphones to be used in large theaters and halls. This can help to improve performances by giving users a much wider range of movement on stage. The included headset microphone allows performers to work hands free, thus increasing their movement potential. Built-in squelch circuits suppress unwanted noises and help to provide optimum sound quality. |
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Shure PG 6-Piece Drum Microphone Package $399 The Shure PG 6-Piece Drum Mic Package includes one PG52 kick drum mic, 3 PG56 snare/tom mics, 2 PG81 instrument mics, and a carrying case. PG microphones are developed with distinct characteristics and performance-based applications in mind, so you can be sure that they will perform up to the high standards expected of a Shure mic. |
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Shure Pg 6-Piece Drum Microphone Package $399 The Shure PG 6-Piece Drum Mic Package includes one PG52 kick drum mic, 3 PG56 snare/tom mics, 2 PG81 instrument mics, and a carrying case. PG microphones are developed with distinct characteristics and performance-based applications in mind, so you can be sure that they will perform up to the high standards expected of a Shure mic. |
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Cloud Cloudlifter Cl-2 Phantom Powered Gain Booster For Dynamic And Ribbon Mics $249 The CL-2 is a dual mono Cloudlifter (see # H73309). The CL-2 offers two independent channels of up to +25db of ultra-clean gain, for passive microphones, inline using phantom power.There are certain mics revered for their sound quality. Among them are passive ribbon mics, such as the Royer R121 (#581141 or MXL R40 (#H69305), and low-sensitibity dynamic mics, such as the Shure SM7B (#270247) and the Electro-Voice RE20 (#270009). But if your preamp doesn't have enough gain or the right impedance requirements, these mics won't perform well. So what do you do if you can't afford a high-end preamp with tons of gain? The Cloud Microphones Cloudlifter CL-1 Mic Activator is the solution.The Cloudlifters address problems due to gain and impedance requirments by giving passive microphone signals a major inline boost, up to +25db of ultra-clean gain, while properly loading the microphones transformer for transparent operation. The Cloudlifter CL-1 is self contained, driven only by the phantom power from your mixer or preamp. Ideal for dynamics and ribbons alike, the CL-1 turns phantom power into the extra gain required for using passive microphones. The immediate dose of extra gain can make even a budget microphone/preamp combination sound clean and professional. For broadcasting and live sound, the active output signal of the CL-1 can prevent added noise over long cable runs. With endless uses, Cloudlifters are quickly becoming a standard addition to professional, project and home studios.In use with multi-mic recording:Top engineers have taken to using stereo ribbon mics, as well as pairs of SM7Bs as drum overheads to create a rich, powerful texture for drums. Another use for dual ribbons is on a guitar cab set up in stereo, fed by a two amp heads or a stereo amp. If you have a 2-channel preamp that doesn't have the gain/impedance requirements you need, a Cloudlifter CL-2 is just the ticket.Read what the pros are saying about the Cloudlifter:"It's simply about gain - the Cloudlifter is a clever and useful solution..." - Rob Tavaglione, Pro Audio Review February 2010"The Cloudlifter is a winner. It solves problems some ribbon-mic owners dont even know they have. It does exactly what it claims to do, and does so well." - Matthew Mcglynn, Recording Hacks February 2010Gives passive microphones up to +25dB of ultra clean gain; no need to reinvest in an expensive, high-gain premapDual-mono operation for multi-mic or stereo applicationsSelf-contained, driven only by the phantom power from your mixer or preampActive output signal prevents added noise over long cable runs |
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Shure KSM32/SL Condenser Mic $549 The Shure KSM32/SL Condenser Mic has extended frequency response for incredibly natural sound. A transformerless preamp eliminates crossover distortion and improves linearity. The gold-layered, high-compliance diaphragm improves low frequency and transient response. 15dB attenuation switch handles high SPLs, the switchable low-frequency filter reduces background noise. The 3-stage pop-protection grille reduces breath noises, and internal shock mount reduces handling noise. Frequency response: 20Hz to 20kHz. Includes locking aluminum carrying case, ShureLock elastic-suspension shockmount, ShureLock swivelmount, and padded bag.Requires phantom power.Channel Strips of the Stars: Ronan Chris MurphyWorld-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. Ronan was kind enough to share some of his drum-recording signal chains: "Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics into an A Designs Audio Pacifica (#189903) to a Manley Variable Mu Limiter Compressor (#620908); for kick drums, AKG D112s (#271161) into A designs Pacificas. (I prefer the Shure Beta 52 (#270267) for kick but they were pre-mounted inside Terry's (Bozzio) kick drums. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)."Transformerless preamp eliminates crossover distortionImproved LF response15dB attenuation switch for high SPLsLF filter for background noise reductionThree-stage pop protection grille |
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Shure Ksm32/Sl Condenser Microphone $549 The Shure KSM32/SL Condenser Mic has extended frequency response for incredibly natural sound. A transformerless preamp eliminates crossover distortion and improves linearity. The gold-layered, high-compliance diaphragm improves low frequency and transient response. 15dB attenuation switch handles high SPLs, the switchable low-frequency filter reduces background noise. The 3-stage pop-protection grille reduces breath noises, and internal shock mount reduces handling noise. Frequency response: 20Hz to 20kHz. Includes locking aluminum carrying case, ShureLock elastic-suspension shockmount, ShureLock swivelmount, and padded bag.Requires phantom power.Channel Strips of the Stars: Ronan Chris MurphyWorld-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. Ronan was kind enough to share some of his drum-recording signal chains: "Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics into an A Designs Audio Pacifica (#189903) to a Manley Variable Mu Limiter Compressor (#620908); for kick drums, AKG D112s (#271161) into A designs Pacificas. (I prefer the Shure Beta 52 (#270267) for kick but they were pre-mounted inside Terry's (Bozzio) kick drums. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)."Transformerless preamp eliminates crossover distortionImproved LF response15dB attenuation switch for high SPLsLF filter for background noise reductionThree-stage pop protection grille |
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Shure Ksm353 Ribbon Microphone $2695 The Shure KSM353 is a premium bi-directional ribbon microphone crafted for pristine audio in studio and concert hall applications. Proprietary Roswellite technology provides revolutionary ribbon resilience and durability. The high-tensile strength, toughness and shape memory of Roswellite ribbon material replaces traditional foil ribbons for superior resilience at extreme sound pressure levels. Hand assembled in the USA from state-of-the art transducers, transformers, and metals as the pinnacle of Shure quality for prestigious vocal and acoustic performances. Shure KSM ribbon mics are the necessary choice for the world's most accomplished studio and live performances.Bi-directional polar pattern delivers premier, completely symmetrical audio with superior off-axis rejectionRevolutionary Roswellite proprietary ribbon material replaces traditional foil ribbons with high tensile strength, toughness and shape memory that provides superior resilience at extreme SPLsCustom ribbon motor assembly tailors bass response without attenuating the overall output for full low and mid ranges, and superior upper range presence from a rising frequency responseDouble-shielded matched full-sized transformer minimizes signal loss and maximizes output while reducing magnetic and RF interference from 90 degree placement, offset relative to the ribbon146dB SPL across 30 15,000 Hz frequency response ideal for capturing fast transients in vocals, acoustic instruments and concert hallsLegendary Shure quality and superior construction from hand-assembly of machined steel, silver, gold and aluminum materials, and housed in a pure stainless steel casingSpring-loaded suspension shock mount for flexible, fully-isolated stand mounting.Upright protective wood case included for storage when not in use |
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Lord of the Mics III $11.49 Lord of the Mics III |
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Shure SCM410 4-Channel Automatic Mixer $749.99 The Shure SCM410 4-Channel Mixer features "Automatic Mixing", a tremendous problem-solving tool allowing sound system installers to eliminate common problems such as insufficient gain before feedback and muddy speech quality. Shure is the industry leader in automatic mixing with its unique IntelliMix technology. IntelliMix automatically gates microphones on and off to optimize sound quality in conference facilities, houses of worship, governmental institutions, schools, etc.Fast, noise-free microphone selection, which automatically adjusts to changes in background noiseIncreases the clarity and intelligibility of speechDramatically reduces feedback, reverberation, and comb filteringAutomates several rigorous operator functions. Minimizes set up time - plug and playFrees up channels on the mixing consoleIntelliMix- the most advanced and effective automatic mixing algorithm available, incorporating Noise Adaptive Threshold, MaxBus , Last Mic Lock-OnNOMA (Number of Open Mics Attenuated) - automatic gain adjustment as additional microphones are activated4 balanced mic level XLR inputs1 balanced mic/line switchable XLR output1 unbalanced RCA auxiliary outputFits in half-rack spaceAdjustable EQ for each channelBi-color channel activation and clipping LEDsPeak-responding output limiter with LED indicatorPeak-responding output level metersupplied with a power cord, rack-mounting hardware, and a link cable |
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Shure Scm410 4-Channel Automatic Mixer $749.99 The Shure SCM410 4-Channel Mixer features "Automatic Mixing", a tremendous problem-solving tool allowing sound system installers to eliminate common problems such as insufficient gain before feedback and muddy speech quality. Shure is the industry leader in automatic mixing with its unique IntelliMix technology. IntelliMix automatically gates microphones on and off to optimize sound quality in conference facilities, houses of worship, governmental institutions, schools, etc.Fast, noise-free microphone selection, which automatically adjusts to changes in background noiseIncreases the clarity and intelligibility of speechDramatically reduces feedback, reverberation, and comb filteringAutomates several rigorous operator functions. Minimizes set up time - plug and playFrees up channels on the mixing consoleIntelliMix- the most advanced and effective automatic mixing algorithm available, incorporating Noise Adaptive Threshold, MaxBus , Last Mic Lock-OnNOMA (Number of Open Mics Attenuated) - automatic gain adjustment as additional microphones are activated4 balanced mic level XLR inputs1 balanced mic/line switchable XLR output1 unbalanced RCA auxiliary outputFits in half-rack spaceAdjustable EQ for each channelBi-color channel activation and clipping LEDsPeak-responding output limiter with LED indicatorPeak-responding output level metersupplied with a power cord, rack-mounting hardware, and a link cable |
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LP Cajon Microphone Mount For Shure Mic $15.6 The LP Cajon Microphone Mount is designed to fit a Shure Beta 91 mic. Accurately capturing the extensive sonic range of a cajon with a single microphone is a daunting task. But thanks to an imaginative new mounting system created by acoustic designer Hector Torres, that task has been accomplished. Accomplished so well, in fact, that LP artist Kevin Ricard is now using it on American Idol. The heart of the patent-pending system is a sculpted hardwood microphone holder. This holder allows the mic it contains to be placed anywhere on the rear surface of a cajon in order to achieve the optimum sound. Hook-and-loop fastener strips let you position the unit in different locations to enhance a desired effect. The microphone itself is held 3 mm above the surface of the cajon in order to pick up the punch of the bass tones along with all of the more subtle sounds. The compact and flexible design of the LP Cajon Mic system eliminates the need for permanently mounted internal mics, or for external mics whose stands can often get in the player's way. The greatest cajon playing in the world is wasted if the intended audience can't hear it. Make sure your great playing reaches your audience with the help of the LP Cajon Mic Mount. Fits a Shure Beta 91 Designed by Hector Torres Used by Kevin Ricard on American Idol Sculpted hardwood microphone holder allows the mic it contains to be placed anywhere on the rear surface of a cajon in order to achieve the optimum sound Hook-and-loop fastener strips let the player position the unit in different locations to enhance the desired effect Compact and flexible design eliminates the need for permanently mounted internal mics, or for external mics whose stands can often get in the player's way |
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Lp Cajon Microphone Mount For Shure Mic $15.6 The LP Cajon Microphone Mount is designed to fit a Shure Beta 91 mic. Accurately capturing the extensive sonic range of a cajon with a single microphone is a daunting task. But thanks to an imaginative new mounting system created by acoustic designer Hector Torres, that task has been accomplished. Accomplished so well, in fact, that LP artist Kevin Ricard is now using it on American Idol. The heart of the patent-pending system is a sculpted hardwood microphone holder. This holder allows the mic it contains to be placed anywhere on the rear surface of a cajon in order to achieve the optimum sound. Hook-and-loop fastener strips let you position the unit in different locations to enhance a desired effect. The microphone itself is held 3 mm above the surface of the cajon in order to pick up the punch of the bass tones along with all of the more subtle sounds. The compact and flexible design of the LP Cajon Mic system eliminates the need for permanently mounted internal mics, or for external mics whose stands can often get in the player's way. The greatest cajon playing in the world is wasted if the intended audience can't hear it. Make sure your great playing reaches your audience with the help of the LP Cajon Mic Mount. Fits a Shure Beta 91 Designed by Hector Torres Used by Kevin Ricard on American Idol Sculpted hardwood microphone holder allows the mic it contains to be placed anywhere on the rear surface of a cajon in order to achieve the optimum sound Hook-and-loop fastener strips let the player position the unit in different locations to enhance the desired effect Compact and flexible design eliminates the need for permanently mounted internal mics, or for external mics whose stands can often get in the player's way |
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Polycom / WIRELESS EXPANSION MICS FOR / 2200-32400-001 $457.16 Polycom - WIRELESS EXPANSION MICS FOR - 2200-32400-001 |
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Pylo / 4 WIRELESS MICS / PDWM5000 $148.58 Pylo - 4 WIRELESS MICS - PDWM5000 |
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(3) e835 mics with MZQ800 clips $233.99 (3) e835 mics with MZQ800 clips |
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Shure Beta 52A Kick Drum Mic $189 The Shure Beta 52A Kick Drum Mic is a high-output, dynamic microphone with a frequency response tailored specifically for kick drums and other bass instruments. It provides superb attack and punch, and delivers studio-quality sound even at extremely high SPLs. Its modified supercardioid pattern ensures high gain-before-feedback and excellent rejection of unwanted sound.Channel Strips of the Stars: Ronan Chris MurphyWorld-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. A huge fan of A Designs Audio, Ronan was kind enough to share some of his drum-recording signal chains: "Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics (#270141) into a Pacifica (#189903); for kick drums, I prefer the Shure Beta 52. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio, Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)."Note: for more information about individual units in the signal chain, enter the Item ID# into our search box.Frequency response shaped specifically for kick drums and bass instrumentsBuilt-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drumStudio-quality performance, even at extremely high sound-pressure levelsSupercardioid pattern for high gain-before-feedback and superior rejection of unwanted noiseHardened steel mesh grille resists wear and abuseAdvanced pneumatic shockmount system minimizes transmission of mechanical noise and vibrationNeodymium magnet for high signal-to-noise ratio outputLow sensitivity to varying load impedanceLegendary Shure quality and reliability |
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Used Shure Beta 52A Kick Drum Mic $171.99 The Shure Beta 52A Kick Drum Mic is a high-output, dynamic microphone with a frequency response tailored specifically for kick drums and other bass instruments. It provides superb attack and punch, and delivers studio-quality sound even at extremely high SPLs. Its modified supercardioid pattern ensures high gain-before-feedback and excellent rejection of unwanted sound.Channel Strips of the Stars: Ronan Chris MurphyWorld-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. A huge fan of A Designs Audio, Ronan was kind enough to share some of his drum-recording signal chains: "Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics (#270141) into a Pacifica (#189903); for kick drums, I prefer the Shure Beta 52. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio, Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)."Note: for more information about individual units in the signal chain, enter the Item ID# into our search box.Frequency response shaped specifically for kick drums and bass instrumentsBuilt-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drumStudio-quality performance, even at extremely high sound-pressure levelsSupercardioid pattern for high gain-before-feedback and superior rejection of unwanted noiseHardened steel mesh grille resists wear and abuseAdvanced pneumatic shockmount system minimizes transmission of mechanical noise and vibrationNeodymium magnet for high signal-to-noise ratio outputLow sensitivity to varying load impedanceLegendary Shure quality and reliability |
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Shure Beta 52A Kick Drum Microphone $189 The Shure Beta 52A Kick Drum Mic is a high-output, dynamic microphone with a frequency response tailored specifically for kick drums and other bass instruments. It provides superb attack and punch, and delivers studio-quality sound even at extremely high SPLs. Its modified supercardioid pattern ensures high gain-before-feedback and excellent rejection of unwanted sound.Channel Strips of the Stars: Ronan Chris MurphyWorld-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. A huge fan of A Designs Audio, Ronan was kind enough to share some of his drum-recording signal chains: "Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics (#270141) into a Pacifica (#189903); for kick drums, I prefer the Shure Beta 52. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio, Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)."Note: for more information about individual units in the signal chain, enter the Item ID# into our search box.Frequency response shaped specifically for kick drums and bass instrumentsBuilt-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drumStudio-quality performance, even at extremely high sound-pressure levelsSupercardioid pattern for high gain-before-feedback and superior rejection of unwanted noiseHardened steel mesh grille resists wear and abuseAdvanced pneumatic shockmount system minimizes transmission of mechanical noise and vibrationNeodymium magnet for high signal-to-noise ratio outputLow sensitivity to varying load impedanceLegendary Shure quality and reliability |
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Kid Rock Skull & Mics Men's Hoodie $65.99 SKULL & MICS - MEN'S ZIPPER HOODIE |
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Shure SHURE P4MTRE3 IN EAR MON SYS 889406388369 $461.96 Shure SHURE P4MTRE3 IN EAR MON SYS 889406388369 |
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Shure SHURE P4MTRE3 IN EAR MON SYS $1000.91 Shure SHURE P4MTRE3 IN EAR MON SYS |
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Shure SHURE P4MTRE3 IN EAR MON SYS 889406388246 $461.96 Shure SHURE P4MTRE3 IN EAR MON SYS 889406388246 |
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Shure SHURE P4MTRE3 IN EAR MON SYS 889406476493 $549.95 Shure SHURE P4MTRE3 IN EAR MON SYS 889406476493 |
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Shure Shure P4mtre3 In Ear Mon Sys $1000.91 Shure SHURE P4MTRE3 IN EAR MON SYS |
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Amplivox Cordless Sound System Tabletop Lectern, Walnut. Each $636.18 Manufacturer: Amplivox. Each. Cordless Public Address Sound System Tabletop Lectern For indoor or outdoor sound amplification Powerful 50W multimedia ready amp with stereo input for computer/CD, tape and three mics, outputs for tape recorder and up to f |
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Amplivox Cordless Wireless Sound System Tabletop Lectern, Walnut. Each $973.49 Manufacturer: Amplivox. Each. Cordless Public Address Sound System Tabletop Lectern For indoor or outdoor sound amplification Powerful 50W multimedia ready amp with stereo input for computer/CD, tape and three mics, outputs for tape recorder and up to f |